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Two FineArt matte papers compared

When it comes to high-quality fine art prints, paper choice is critical. Two of the most popular options in the world of giclee printing are Hahnemühle Photo Rag 308 and the new Photo Rag Matt Baryta 308. Although they have many features in common, they have some differences that can affect the final result of the print.

1. Key features compared

FeaturePhoto Rag 308Photo Rag Matt Baryta 308
Composition100% Cotton100% Cotton
Weight308 gsm308 gsm
Thickness0.48 mm0.51 mm
Paper colorNatural white (92.5% whiteness)Warm white (88.6% whiteness)
Optical brighteners (OBA)Very lowNone (OBA-free)
Surface finishMatte, velvetyMatte, smoother with slight sheen in printed areas
Barite layerNoYes
Black yieldDeep, but softerMore intense and detailed
Tonal range in graysGood, with smooth transitionsWider, with greater separation between tones
Suggested UsePhotographic prints with velvety rendering, digital illustrationsBlack and white, images with strong contrasts and details

*Technical data sheets: Photo Rag 308 and Photo Rag Matt Baryta 308

2. Differences in detail

📌 2.1. Surface finish

  • Photo Rag 308 has a velvety and slightly porous texture, ideal for a soft and natural effect.
  • Photo Rag Matt Baryta 308 is smoother and more uniform, with a slight sheen in the printed areas, which accentuates the depth of the image.

🎨 2.2. Tonal range and depth of grays

  • The Matt Baryta offers better rendering of gray tones: thanks to the baryte layer, the separation between shades is clearer, avoiding muddiness in the most delicate transitions.
  • This makes it perfect for black-and-white prints, where details in shadows and highlights are critical.

🖼️ 2.3. Black intensity and detail

  • Matt Baryta 308‘s blacks are deeper and more incisive, maintaining better legibility in dark areas.
  • The Photo Rag 308, on the other hand, has a softer, more diffuse look, with blacks that are still intense but less structured.

🌡️ 2.4. Appearance of the blank

  • Photo Rag 308 has a higher whiteness (92.5 percent) and a more neutral-cool look.
  • Photo Rag Matt Baryta 308 has a lower whiteness (88.6%) and appears slightly warmer and more natural, without optical brighteners.

3. Which one to choose?

Choose Photo Rag 308 if:

✅ You want a velvety, glare-free surface.
✅ You print images with a soft, painterly rendering.
✅ You prefer a more neutral, slightly brighter white.
✅ You are looking for a versatile paper for digital illustrations or color prints with a subtle effect.

Choose Photo Rag Matt Baryta 308 se:

✅ You want more depth in the blacks and more detail in the grays.
✅ You print black-and-white photographs or images with strong contrasts.
✅ You are looking for a paper with a similar yield to old baryte photographic papers, but in a matte version.
✅ You prefer a warmer, more natural white without optical brighteners.

4. Printing tips

  • Try both cards with the same image, especially if you print in black and white, to see which one fits your style best.
  • For extremely fine details and images with delicate gradients, the Matt Baryta 308 offers superior output.
  • If you want to get as much contrast as possible, try optimizing the file to take advantage of the greater dynamic range of the Matt Baryta.
  • Both papers have a delicate surface, so it is recommended to handle them carefully to avoid scratches and fingerprints.

💬 Conclusion

Photo Rag 308 remains one of the most popular papers for fine art printing, but Photo Rag Matt Baryta 308 offers a new level of tonal depth and detail that can make all the difference, especially for black and white and images with complex gradients.

💡 Want to try both? Go to the order form and find out which paper best suits your project!

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